The Structure and an important factor contributing to Cultural Identity of Multi-Cultural country-Australia
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Cultural Identity
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Redefinition of cultural identities has been an important constituent part of the transition processes in all Southeast European (SEE) countries. It generally evolved from the extreme nationalistic positions based in anthropological interpretations of identities, ethnicities and cultures and largely inspired by the ‘ rediscovery’ of cultural past and cultural traditions. The evolution proceeded towards the pro-European, more tolerant positions and standpoints based in the acceptance of cultural diversities, cultural democratization and professionalisation of cultural policies. The redefinition and reestablishment of cultural links and cultural cooperation are the issuing processes being underway at present. They generally precede the normalization of political processes, and are parallel to economic exchanges and mutual investments. However, they remain less visible and are taken to be less important in the regional frameworks. Internationally, all such processes tend to be linked to the all-European processes promoting cultural diversity, tolerance and inter-cultural dialogue. Redefinition of the Croatian cultural identity has been following this general historical process during which the language differences, differences in cultural values and creative authenticity have been particularly stressed. Although interest in regional cultural exchanges has been constantly growing, the Croatian cultural policies tend to orientate cultural development and cultural communication primarily towards European countries and cultures. The present situation now reflects the tendency to balance the regional cultural identifications (that are particularly visible in pop music, TV and other media programs, etc.) with a cultural identification that would be closer to the EU promoted cultural standards, such as the acceptance of cultural diversity, intercultural dialogue, establishment and development of cultural industries ant the overall democratization of cultural relationships.
Cultural Identity
Cultural homogenization
Cultural Policy
Cultural Studies
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Cultural Industry
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Promotion (chess)
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Mapping cultural policy is related to cultural diversity, which focuses on two aspects in South East Europe (SEE): multiculturalism, reflected as an in-state reality and cultural diversity, reflected as a kind of cultural relation among the newly established states in the region. Designing cultural policies in SEE is a new experience. It is constructivist, marked by transitional disintegration of the concept(s) of culture(s), split political interests, marginalization of the value and methodological standards, extrapolation processes and de-standardization that often opposes local values to the global trend and standards. A methodological assessment of approaches and practices is further elaborated.
Value (mathematics)
Cultural Policy
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Cultural Exchange
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Investment
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Policies reflect societal realities as well as political ideas and ideologies. The first half of the 20th century was characterized in Europe by the consolidation of nation-building processes, and cultural policy instruments were used to strengthen national feelings and enhance national esteem. In the second half of the century, especially in the 1960s and thereafter, cultural policy increasingly became a tool to enhance welfare and well-being. Nordic countries have traditionally had a reputation of being nation-states, that is, societies where the national community and the political unit, the state, are congruent. All major world religions with their belief systems and ceremonies are present in Nordic spiritual life. A vast number of cultural traditions are reproduced in smaller and larger circles. The Multiculturalism Policy Index (MCP) developed at Queens University in Canada is helpful in comparing the Nordic countries with regard to the cultural rights of national minorities, indigenous people and immigrant groups.
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Cultural Identity
Cross-Cultural Communication
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