Seduction, persecution, revelation.

The author argues that seductin is not primarily a fantasy but a real situation, which lies at the heart of the other two allegedly primal major scenarios: castration and the primal scene. This statement is not to be confused with an event-based realism, as, for this to be achieved, a third category of reality must be postulated. This reality, constantly misconstrued bu authors as corresponding to material and psychological reality, is that of the message conveyed and, more specifically in the case of analysis, the enigmatic message.