Basic Perspective for Artists: "A Guide to the Creative Use of Perspective in Drawing, Painting and Design"
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Exhibition design is typically nested in various fields, such as all kinds of museums, shopping malls and window display stands, etc. Besides, exhibition design covers different contents at many levels, including the planning and development of exhibits, the application of various spaces, etc.In other words, the design idea of exhibition design shall take into account the issue that how a variety of exhibition factors can fully reveal the characteristics of goods and the advantages of enterprises within certain time and space so as to achieve economic benefits or commercial interests.However, the diversiform development of modern society has impelled people to improve their spiritual needs and psychological demands for aesthetics and cultures during the process of consumption.The exhibition design therefore, tends to take the aesthetic experiences and aesthetic knowledge as the design idea and develop an integrated system design that combines functionality with aesthetics by creating certain degrees of visual beauty.This paper is composed of three parts: Firstly, give a short introduction on the development and dissemination of exhibition design; secondly, describe the influence of visual beauty on the design ideas of exhibition design; lastly, use examples to analyze the formal expression of exhibition design from the perspective of visual beauty.In short, the preference of exhibition design for visual beauty can not only promote the development of exhibition design, but is conducive to stimulating market economy and enhancing the aesthetic consciousness of the public.
Beauty
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This paper is a practical outcome of a multidisciplinary research project conducted by the authors on the contemporary and modern practices of the Improvisation in Arts. All the authors are research-oriented practitioners in the fields of visual arts, performance arts, multimedia, Information and communication technologies as well as vocational training. Furthermore, the drawings, paintings, and sketches are all made by the correspondent author Assistant Professor Dr. Mohammed Baker Mohammed Al-Abbas as part of his research-oriented artistic practice through the hybrid painting techniques. Abstract The present studio-based paper aims to explore the creative reflections of the aesthetics of otherness within the practical phases of the painting production. This paper represents an experimental endeavor to create a two-dimensional artwork, which is a hybrid painting technique on canvas with mixed media and acrylic paints. Within such a specific practice-based context, each phase of this practical approach outlines a critical significance from the first phase of creating that painting to the completing phase. The practical methodology is the tool that converts the researcher's/artist's vision into creative academic production. The process of creating the painting on the canvas is the methodology; such manner turns to be a primary reference for the present exploration. There is a significant paradigm in this approach, which focuses on the artwork as a morphological creature being created by the researcher/artist rather than a consequent result that only exists as a finished/complete/polished outcome. The outcome of this research is the record of the artwork production itself. This record presents visual references of the artwork progress as well as a textual reflective narrative to describe this process with written words. This research-oriented artistic attempt introduces the artists and researchers in the domains of the Fine Arts to integrate the process of art-making into the methodologies of academic research. It is an academic text, reflective text as well as sequential images recording the artwork making. This studio-based experimentation is significant because it examines the aesthetics of the otherness into the expressive figurative abstraction in painting. Furthermore, the impact of such a studio-based approach manifests on advancing applications of the artistic oriented research in the field of Fine Arts globally on curatorial and academic levels. Keywords: Contemporary Art Practice, Studio-Based Methodology, Practice-Based Research, Hybrid Painting Techniques, Multimedia, Mixed media, Photography DOI: 10.7176/JEP/11-10-08 Publication date: April 30 th 2020
Improvisation
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From phase one of the practice-led research project Painting as Emergent Knowledge. Referred to in Chapter Two. This was shown as part of the first event: The Gesture of Thinking.
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From the trace the history of book design,the Author studies content and meaning of book design,explains the features of book design,proposes the creation strategy of book design.
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Central to the artistic process, painting and drawing remain among the most fundamental and essential skills an artist can master.
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