Building Three-dimensional Virtual Historic Fashion Museum Exhibitions: From the Perspective of Technology Affordances
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Museums are currently undertaking the task of digital transformation. Transformational technology generates revitalization of the curatorship, cultural heritage presentation, management model, and traditional roles of museums. The creation of three-dimensional (3D) virtual museum exhibitions is important to fulfill the revolutionary operational requirements and projections of recent museums through digital transformation. The objectives of this project were to (1) create realistic 3D virtual museum exhibitions accessible from the web, focusing on historic fashions, and (2) provide an analysis of the process and resources for creating 3D virtual museum exhibitions featuring object-focused exhibits. As a theoretical background of this project, the theory of technology affordances and the affordance actualization process were applied in the creation of 3D virtual museum exhibitions. The results of this project provide cultural heritage museums and institutions with useful precedents for the development of 3D virtual historic fashion museum exhibitions.Keywords:
Affordance
Being the higher social economy effectiveness, the meeting and exhibition industry is received extensive attention. But some exhibition meeting products are identical, and the phenomenon of repeating holding similar exhibitions is serious. The main reason is the short of the forecast of exhibition. So the forecast research of the meeting exhibition is becoming necessary. The article briefly introduces the necessity and function of the forecast of exhibition, and discussion in detail the substance of the forecast of exhibition.
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In order to find a better way to compose a reasonable exhibition environment which can both accord with the characteristic of exhibition industry and meet the requirement of the exhibition participants,this paper,taking Shanghai Everbright Convention Exhibition Center as an example,evaluates and analyzes its exhibition environment with IPA analysis from the exhibitor's view.This paper begins with the analysis of exhibition environment's meaning and characteristic and makes a brief introduction on the exhibition environment of Shanghai Everbright Convention Exhibition Center.Then,according to exhibitor's evaluations on the importance and performance of all the indexes involved in Shanghai Everbright Convention Exhibition Center's exhibition environment,this paper respectively analyzes the importance of exhibition environment's evaluation indexes and exhibitor's satisfactory degree on the exhibition environment,and meanwhile combines importance and performance with IPA analysis to evaluate the exhibition environment of Shanghai Everbright Convention Exhibition Center in a more objective way.
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This chapter discusses the Great Exhibition of 1851 that was held in the Crystal Palace, and looks at the various exhibits. Inspec keywords: exhibitions Other keywords: The Great Exhibition; AD 1851; international exhibitions Subjects: Physics organizational activities
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The most important thing about the nature of the 1973 Physics Exhibition is that it is much the same as that of the 1972 exhibition and its predecessors stretching back to 1905. The move to Earls Court, which is shared with Labex International (organized by UTP Exhibitions Ltd) does not imply any change in policy on the part of the Council and the Exhibitions Committee, only a determination to take advantage of an opportunity to secure a more favourable position for the exhibition.
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The purpose of this paper is to consider the permanent exhibitions in public museums of history and explain the transition of their exhibitions. We selected 58 museums among public museums of history opened during the postwar period, and analyzed their original permanent exhibitions. The results are as follows. It was found that the permanent exhibitions were classified 7 types (field exhibition, general history exhibition. subject exhibition, and their combinations). Permanent exhibitions of history museums turned from field exhibition into general history exhibition in the latter half in 1970's. The subject exhibition appeared in 1980's and they have spread.
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This chapter discusses national and international exhibitions, including the 1862 International Exhibition and later British exhibitions, held between 1870 and 1890. Inspec keywords: exhibitions Other keywords: British exhibitions; international exhibitions Subjects: Physics organizational activities
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The book written by a Japanese specialist on international exhibitions did not include this Exhibition at all, while it covered the Franco-British Exhibition of 1908, which was quite similar in nature to this Exhibition and held at the same site. It also discusses one of the controversial issues raised, namely, the decision of the organizers to include among the attractions to be viewed both the Ainu people and the inhabitants of Taiwan. The centenary in 2010 has provided another opportunity to examine the subject with fresh eyes. Originally, it had been hope to balance our account between British and Japanese attitudes to the Exhibition. But, our contributors have dealt mainly with the Japanese side. For Britain, similar exhibitions were an annual occurrence while for Japan it was something special. Keywords:Britain; Franco-British exhibition; international exhibitions; Japan
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Representational Affordances are distributed representations extended across external (the environment) and internal (the organism) representations. Usability problem of Clinical Research Information System (CRIS) is a major barrier for their acceptance. Design of user interface (representation) is very important to the functionality and usability of CRIS. We propose that the user interface with more perceivable external representational affordances will have better usability. Our study focused on developing a framework to study the representational affordances of CRIS, and developing a framework that can systematically apply representational affordances to the design of user interface of CRIS.
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The article explores controversy surrounding the art exhibition Based in Berlin featuring artists living in Berlin, Germany. The author reflects on the financing and planning of the exhibition. Topics of debate include the political aspects of the exhibition, alliances between contemporary artists and politicians, and the title of the exhibition.
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