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    :German Villages in Crisis: Rural Life in Hesse-Kassel and the Thirty Years' War, 1580-1720
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    Berta Gertzoff – dairy farmer's widow, 40s, German immigrant, speaks German and English with German accent Sonya Gertzoff – daughter, 20, German-American Emma Gertzoff – daughter, 16, German-American Peter Gertzoff – son, 10, German-American Peggy Downing – banker's wife and town busybody, 40s, American as apple pie Jack Downing – banker, married to Peggy, 40s, American Rolf – German POW, 18, speaks German and English with a German accent Gunther – German POW, 22, speaks German and English with a German accent
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    This study explored how 296 U.S. learners of five foreign languages (FLs), including German, imagined stereotypical native speakers (NSs) and likely learners of German. Results showed that (a) when students of different languages imagined NSs of German, they emphasized different stereotypes; learners of German named the most and the most diverse stereotypes, which was particularly remarkable as all groups emphasized negative characteristics; (b) descriptions of characteristics of NSs corresponded with those of learners of German; (c) many respondents—especially those who were not students of German—considered heritage connections as an essential characteristic of a learner of German; and (d) non-learners of German gave more detailed descriptions of likely learners than of NSs of German. Results outline pathways of imagined self- and other-exclusion from German-speaking communities, which, in turn, raise questions about how the study of a foreign language can reach its stated goals of personal transformation.
    Research Article| August 01 2007 The Non-German German and the German German: Dilemmas of Identity after the Holocaust A. Dirk Moses A. Dirk Moses Search for other works by this author on: This Site Google New German Critique (2007) 34 (2 (101)): 45–94. https://doi.org/10.1215/0094033X-2007-003 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation A. Dirk Moses; The Non-German German and the German German: Dilemmas of Identity after the Holocaust. New German Critique 1 August 2007; 34 (2 (101)): 45–94. doi: https://doi.org/10.1215/0094033X-2007-003 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsNew German Critique Search Advanced Search The text of this article is only available as a PDF. New German Critique, Inc.2007 Article PDF first page preview Close Modal You do not currently have access to this content.
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    This article challenges the widely accepted view that cultural expressions of Germanness disappeared during World War I in the United States by examining the response of German restaurants to anti-German sentiments. German restaurants in San Francisco responded to the rise of anti-German sentiments in three distinct ways: First, some German restaurateurs veiled German cuisine as American cuisine, adding San Francisco specialties to the menu, and Americanizing the interior of the restaurant; Second, proprietors increasingly relied on non-Germans to decide the quality of the restaurant; Third, German restaurateurs founded new restaurants that openly continued the traditions of turn-of-the-century San Francisco German restaurants.
    First world war
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    The nationally-recognized Susquehanna Chorale will delight audiences of all ages with a diverse mix of classic and contemporary pieces. The ChoraleAƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚¢AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚€AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚™s performances have been described as AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚¢AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚€AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚œemotionally unfiltered, honest music making, successful in their aim to make the audience feel, to be moved, to be part of the performance - and all this while working at an extremely high musical level.AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚¢AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚€AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚ƒAƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚ƒAƒÂƒA‚‚AƒÂ‚A‚‚AƒÂƒA‚ƒAƒÂ‚A‚‚AƒÂƒA‚‚AƒÂ‚A‚ Experience choral singing that will take you to new heights!
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