[Remarkable nose forms in Roman portrait sculptures from late republican to early Constantine time].
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In 1985, the Pennsylvania Academy of the Fine Arts acquired Charles Bregler's Thomas Eakins Collection, the largest private holding of Eakins material, including drawings, photographs, oil sketches, and sculpture, most of which had been cataloged and restored by Bregler. Preparation of the collection for an exhibition at the Pennsylvania Academy in 1991 provided a unique opportunity to study Eakins's works in a variety of media. Mark F. Bockrath examines Eakins's working methods and painting materials in his oil sketches and finished paintings. Treatment of the sketches to undo Bregler's restorations is discussed. Virginia N. Naude explains how the relief sculptures, Spinning and Knitting, were identified as the originals of all known plaster and bronze versions. Technical analysis of the sculpture by microscopy and x-radiographs show them to be complex assemblages in which the artist manipulated three-dimensional components into shallow relief Conservation treatment of the reliefs to remove restorations is addressed. Debbie Hess Norris describes the 500 photographs by Eakins and his circle in the collection as representing a wide variety of processes and formats. Eakins's intentions as a photographer and the range of his subject matter are presented. Treatment work to stabilize the photographs is described as it addressed the various deterioration mechanisms of different processes.
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In fifteenth-century Florence, many artists, whatever their eventual specialty, trained in goldsmiths’ shops. Throughout Europe, moreover, the goldsmith’s art, which was practiced publicly, engendered widespread awareness of processes such as casting and plating metal. Among Florentine sculptors, goldsmithing nurtured an experimental approach, an attention to surface, and the adoption of novel media deriving from work with precious metals. After 1400, regulations circumscribing the art were reinterpreted and applied to large-scale sculptures made of copper alloys. In Donatello’s works, expansive creativity collided with strict regulation, revealing the complexities associated with the re-emergence of bronze and brass sculpture in quattrocento Florence.
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Expansive
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Focusing on painting, sculpture, architecture, photography, and the decorative arts, this illustrated survey traces the development of the visual arts in America and examines significant genres, trends, and movements.
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With an engaging text by renowned Michelangelo scholar William E. Wallace, Michelangelo: The Complete Sculpture, Painting, Architecture brings together in one exquisite volume the powerful sculptures, the awe-inspiring paintings, and the classical architectural works of one of the greatest artists of all time. Including everything from his sculptures Pietas and David to his beautiful paintings of the Sistine Chapel and the Doni Tondo, the book provides an opportunity to view Michelangelo's work as never before, and to more fully understand the artist who, through his work, spoke of his life and times. The frescoes are specially printed on onion skin paper to recreate the actual appearance of light reflecting off of the plaster walls. The stunning black-and-white photography of the sculptures is printed in four colors to bring out the rich details of the marble.
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