Different Forms of Jiangxi Dialect in Literary Works and Relevant Problems
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This paper discusses the different forms of Jiangxi dialect used in the literary works so as to find out their universal characteristics.The using patterns include:1) using dialect words and grammatical structures directly without any explanatory notes;2) relevant forms of common speech before or behind the dialect words or expressions to help the reader to grasp the real meanings of them;and 3) dialect forms are promoted to be topics to advance the plot and delineate the local culture.The relevant problems include:1) way in which a writer uses the dialect forms related to his creative intention or his sense of language standardization,and 2) using dialect words or grammatical structures properly not only to make up for some weakness of common speech but also to promote the status of Jiangxi dialect.Keywords:
Literary language
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In the focus of discussion are linguistic subtleties that reflect the identity of an upper-class speaker. The correlation between the linguistic and the social forms of expression has retained its topicality manifested in a great number of scholarly papers and articles under the heading Language and Identity. Papers studying the linguistic shibboleths of the upper classes of society are very few, if any at all. Hence the interest in the socially marked linguistic features applied in modern literature to depict socially privileged characters/personages. Among others are literary words, which, though self-explanatory and explicitly referring to a literary style, literary traditions and education, serve as indices of socially privileged classes. The analysis of social contexts and the functions performed by literary words of foreign origin in fiction allow us to single out some nuances and subtleties in their use for social characterization, which may be of interest to linguists and educators.
Writing style
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Dialects,to the natives,possess special active factors while they are quite ambiguous to nonnative speakers,which,tending to prevent good communication,can not be neglected.The paper,taking the Chinese character kei as an example,reveals the emotion inside it and studies the ways of translating it into English so as to show the great vitality of dialects and make dialects serve our life.
Vitality
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In personal and mass communication, the using and prevailing of the signs are caused by the dialect complex of the communicators. The existence of dialect complex has certain negative influences on information communication, social stability and harmony between ethnic groups, and even on national unity. Some guiding methods may be used to dissolve the “dialect complex”, thus to enhance the authority of national common language and to promote smooth and convenient information communication and receiving.
Harmony (Music)
Body language
Social harmony
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There is, in the Wallachian dialect, a few words which give its specificity and ennobles it. They are not found in the rest of dialects and may be considered idiomatic, because they are untranslatable (in the sense of total equivalence). Some are lexemes with the singular form, others are new meanings of some existing phrases in Romanian literary. Popularization of these lexical items through this article aims at knowledge and their integration into generalized use of the Romanian language, pointing their idiomatic character. The Wallachian dialect should not be regarded as having privileged status among other dialects, but as a linguistic resource that allows nuanced and creative expression at the national.
Romanian
Ethos
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Intensively reflecting the heterogeneity and artistic quality of foreign language,culture-loaded words are the distinctive parts and dramatic highlights in literary works,which,accordingly,cause some difficulties in the translation of language and culture. From the perspective of stylistics and in view of the idea and means of foregrounding,this essay discusses the translation operation and evaluation of the rhetorical features of Shaanxi dialectal culture-loaded words and concludes that form reproductionand dynamic imitationare two effective ideas and methods to reproduce Shaanxi dialectal culture-loaded words in which distinctive rhetorical features abound.
Foregrounding
Stylistics
Rhetorical device
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В статье на примере конкретной литературно-диалектной творческой языковой личности (ЯЛ) жительницы станицы Старотитаровской Краснодарского края, обосновывается правомерность рассмотрения в качестве носителя традиционной народно-речевой культуры представителей сельской интеллигенции, испытавших влияние художественной литературы, текстов СМИ, но при этом знакомых с фольклором и усвоивших с детства традиции, этические, эстетические и речевые нормы диалектного сообщества. Рассматривается творческая деятельность изучаемой ЯЛ по созданию текстов на говоре, соответствующих фольклорному жанру бывальщины; анализируются собирательская работа по созданию сборника пословиц и фразеологизмов, составляющих личный пословично-фразеологический фонд ЯЛ, и лексикографическая – по подготовке словарных материалов для профессиональных диалектологов; делается вывод о развитом метаязыковом сознании ЯЛ, проявляющемся в способности дифференцировать диалектные слова, понимании важности фиксации места слова в лексической системе говора, а также в умении спонтанно приводить информативные контексты. В заключение высказывается идея о необходимости разработки типов крестьянской речевой культуры в среде современных сельских жителей и описания соответствующих им типов ЯЛ.
Folklife
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Language and culture in the community are the two things that can not be separated. The language used in a particular speech community values shaped by cultural norms that they profess. There are several words taboo in the culture of a society which then allows the emergence of a new term that is more refined for use. Smoothing of taboo language was then known by euphemisms. Euphemism is a symptom of language by using a more subtle expression to replace the phrase which is considered rude. It intentionally or not intended to cover the actual reality or as a form of homage to partners said. The method used is descriptive qualitative data collection techniques using methods refer to and capable. The research results obtained is a form of euphemism often used in oral speech Sasak dialect ngeto-ngete District of Suralaga use of varied forms, the forms of figurative expression, a metaphor, a word to replace one word to another, and circumlocutions form. Meaning euphemism spoken form is based on the context of the speech uttered. Function euphemisms that often arise in the Sasak dialects spoken utterances ngeto-ngete District of Suralaga is functioned as a means of smoothing the speech, confidentiality, and diplomacy.
Euphemism
Taboo
Speech community
Expression (computer science)
Phrase
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The study of stylistic features of the language has a great importance in the sphere of linguistics and literature interpretation. The language is a phenomenon which is in the process of development. Time creates new words and they are to be put into the groups they belong. Different theories connected with stylistic organization of language level, especially stylistic lexicology show that this field of stylistics has issues for investigation. The given article discusses the groups of words studied in the stylistic lexicology and their role in the literary language. Being divided into three groups the English vocabulary is classified according neutral, literary and colloquial layers. Aforementioned layers comprise such groups of words as terms, archaic words, poetic words, nonce-words, barbarisms, slang, jargon, professionalisms, dialectal words, vulgar words, colloquial coinages. In the article they are discussed and their functions in the literary work are identified.
Lexicology
Slang
Stylistics
Literary language
Phenomenon
Word formation
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Literature language is a language of art. At the contemporary time in literature writing, besides various rhetorics and folk expressions and changes of sentence patterns, a writer also adopts artistically informal patterns. These informal artistical patterns are: the flexible use of part of speech,different collocations of morphemes, variation of the emotional colour of the words, mutual use of different stylistic words as well as changing some of the customary set collocations.
Variation (astronomy)
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The study or recordation of the dialect taboo can be seen in some books or articles, but there is not a special one to discuss it emphatically. The dialect taboo is not only very rich but also rooted, studying it especially and wholely can deepen the knowledge of human taboo itself, as well as the human phenomenon in dialect. This article especiall reviewes the dialect taboo, including it's objects, psyclology, sorts, mode and character.
Taboo
Phenomenon
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