Counterpoint, composition, and musica ficta

1. Musica Recta and Musica Ficta 2. Pycard's Credo No. 76 3. Renaissance Counterpoint and Musica Ficta 4. Diatonic Ficta: Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica 5. Dicatonic Ficta Revisited: Josquion's Ave Maria in Context 6. Editing Early Music: The Dilemma of Translation 7. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor 8. Pycard's Double Canon: Evidence of Revision? 9. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications 10. Resfacta and Cantare super librum