Una forma bislacca e disarticolata”Il “Viva San Marco” di Eraldo Affinati

The intervention revolves around the dialogue with Eraldo Affinati on Manzonian issues: from style, to the problem unde malum? to the construction of the characters and contain a fundamental recognition for the entire development of the narrative of the Roman writer: the strong need the weak, the supreme test is the look of the innocent Lucia, in the XXI and XXII, the desire of the dark man to see her again, the terror that emerges of her judgment, of corruption, of death not in the grace of God.