Identidad de la imagen, voces del afuera. (Marimba, Antología Poética. Jorge Boccanera.)

Going into the word leads us to the “other that we are,” to that identity that is not often visible, where the writer fights against many pandemics: the first, that of power and its enthroned dictatorships or fascist liberal democracies; the second, the dictatorship of the media with their “Fake News” or half-truths (which dance to the sound that the master plays) and the third, the dependence on a patriarchy of imperialism that weaves its international networks from the OAS and the European Community. However, the poets of these continents, have forged multiple battles with the sand of the past century and are coming out relatively graceful, as the author of the anthology that occupies this interpretation in the hands of Maria Eugenia Bravo.