LOS CUERPOS DE LA VIOLENCIA Y SU REPRESENTACIÓN EN EL ARTE

The reality of the body nowadays indicates the emergency of social symptoms and pathologies that contaminate practices of thinking and of art. Art has been permeated by an allegorical and sacrificial register, but also documental. Before these visual configurations I keep asking myself: how has a practice like the scenic, that has paid tribute to the body for centuries, been contaminated? How does the scenic art dialogue with this state of the body? How has the theatrical practice been contaminated with this rupture and dissolution of the body?