Nuevos paisajes, viejos modelos. Una mirada al Lago de la Mina de As Pontes.

espanolA ffinales de los anos sesenta del siglo pasado, el artista Robert Smithson expuso un nuevo modo de mirar los restos abandonados de la industria. Poco despues, en Seattle, tomo forma un prototipo de parque publico que fue desarrollandose posteriormente. Han pasado mas de cuarenta anos y los parques postindustriales son ya comunes en nuestras ciudades, si bien es verdad que siguen sorprendiendo a muchos. A partir de la restauracion paisajistica de la mina de As Pontes (Galicia), nos acercamos al paisaje desde una doble vertiente: por un lado, al paisaje como concepti artistico y por otro, al territorio configurado desde sus principios ecologicos. Desde aqui, invitamos al lector a reflexionar sobre la mirada y el papel de la naturaleza en la construccion del paisaje actual, planteando la posibilidad de hallarnos ante un cambio de modelo. EnglishAt the end of the 60´s of the 20th century, the artist Robert Smithson presented a new way of looking at the industrial waste. Shortly afterwards, a public park prototype took shape in Seattle, which was subsequently developed. More than forty years later, postindustrial parks have become common in our cities, even though they are still amazing for many people. Taking as an example the environmental restoration carried out in As Pontes' Mine (Galicia), our approach to the landscape is twofold: on the one hand, landscape is approached as an artistic concept, and on the other hand, we have considered the manner in which landscape is built from its very environmental principles. The objective of this article is to invite readers to reflec on our glance and on the role of nature in the construction of today`s landscape, while raising the possibility of facing a paradigm shif.