Polarization, Imprisonment, and Ambivalence in The Last Tango in Paris

AbstractAlex S. Hill, “Polarization, Imprisonment”, and Ambivalence in The Last Tango in Paris, The San Francisco Jung Institute Library Journal, 2005, 24:2, 85-89. This review attempts to look beneath the surface of a highly anticipated and controversial movie with the goal of elucidating the underlying psychodynamics, in particular the relationship between the masculine and the feminine during its transition during the early 1970s.