Inside the intimate zone: The case of aural micro-space in multichannel compositional practice

This paper aims to present the notion of aural microspace, an area whose aural architecture is not accessible unless it is mediated by recording technology and discuss the exploration of this concept in compositional practice. The author analyses the characteristics of acoustic space from a spectromorphological, cultural and technical perspective, with a focus on auditory intimacy and is proposing novel ways for working in this domain with references to two multichannel acousmatic works, Topophilia and Karst Grotto.