Financing Culture and Theatre. Remigio Paone between Economics and Politics (1899-1977)
2020
The history of culture is a flourishing, well established field of
historical research. As concerns in particular the “organisers” of
the complex machinery that lies behind any performance, in recent decades attention has been focussed on the impresario1 as distinct
from the capocomico (leader of a theatre company) or the agent, all
figures linked to the commercial/entrepreneurial side of the theatre,
united in reality by contacts and overlapping, as in the relationships
between public and private.
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