To Wandiligong : a visual journey through memory, time, space, light, landscape and fourteen layers of glass

This research project examines the process of conceptualisation and its effects on the development of layers of meaning in a visual context. It explores a journey over time, within an observed environment. It explores the conceptual processes which, like a physical journey, runs through many landscapes. Memory and emotion, analysis and observation, recording and interpretation and as a final destination, the practical application in the making of the pictures. This exegesis compares the differences between the theoretical stances artists have taken in the pursuit of creating work based on the depiction of the landscape. It considers a variety of approaches to image and meaning and determines the effect of disruption as it relates to art practice over centuries and to my own practice. Throughout the work there is an exploration of the different forms of disruption on the landscape, from colonisation through to the visual effects of a changing climate. Consideration is given to the similarities and differences between the practices of visual art and communication design particularly in relation to the role of the audience. The process of research and experimentation in the making of 16 digitally augmented inkjet print, photographic images and an accompanying story map drawing of the journey is described. This involved the investigation of the conceptual development processes and approaches in relation to landscape imagery and the effect of a changing climate on their visual outcomes. The results of my experimentation in capturing images through drawing and photography using graphite pencils and paper and a camera, in a car moving through the landscape, are described. This is followed by a description of my experimentation of the use of a disruptive digital drawing application on photographic images located within an iPad and how the resulting images were conceptualised and created.%%%%Masters by Research