El “fetiche de la forma”. Genealogía de la estetización política del poema

In the present article is analyzed the constitution of the form in poetry. The article shows four moments in its constitution. Each moment is exposed as an operation that reinforces the previous ones, to finally legalice the fetish of the form and that has had the effect of installing a type of discourse that includes a depoliticized experience. It is about practicing what Foucault called genealogy: to understand, through some moments of the past, how it was that the cult of the form in the practices of poetry was reached. The relevance of this consideration lies in understanding that this cult of form is related to the neoliberal regime