Performance and phenomenology : traditions and transformations

Introduction Maaike Bleeker, Jon Foley Sherman, and Eirini Nedelkopoulou 1. The Stage Struck Out of the World: Theatricality and Husserl's Phenomenology of Theatre, 1905-1918 Pannill Camp 2. Movement as Lived Abstraction: The Logic of the Cut Maaike Bleeker 3. Process Phenomenologies Susan Kozel 4. The Actor's Work on Attention, Awareness, and Active Imagination: Between Phenomenology, Cognitive Science, and Practices of Acting Phillip Zarrilli 5. Playing the Subject Card, Strategies of the Subjective Philipa Rothfield 6. Fleshing Dead Animals: Sensory Body Phenomenology in Performance Peta Tait 7. Vibrant Materials: The Agency of Things in the Context of Scenography Joslin McKinney 8. Doing Time with the Neo-Futurists Jon Foley Sherman 9. The In-common of Phenomenology: Performing KMA's Congregation Eirini Nedelkopoulou 10. Transracial Intimacy and "Race Performativity": Recognition and Destabilizing the Nation's Racial Contract Shirley Tate 11. Passing Period: Gender, Aggression, and the Phenomenology of Walking Gayle Salamon 12. Doing Phenomenology: The Empathetic Implications of CREW's Head-swap Technology in 'W' (Double U) Sigrid Merx 13. Performance as Media Affect: The Phenomenology of Human Implication in Jordan Crandall's Gatherings Mark B.N. Hansen