Domingo no Neo-Realismo Português

The article describes the transformations of the narrator in the portuguese Neo-realism from Fernando Namora’s novel Domingo a tarde. The text also approach the classification problem of Neo-realism with the novel’s discourse changes in the 50’s. The study of Namora’s work reveals a participant and existentialist narrator, a different one from the objective and monological voice of the first neo-realists novels.