Fakes and Forgeries of Written Artefacts from Ancient Mesopotamia to Modern China
2020
Fake artefacts are objects of fascination. This volume is devoted to fakes and forgeries of written artefacts from Mesopotamia to modern China. Produced for economic, political, religious or more personal reasons, fake artefacts can be identifi ed by studying their contents and materiality. They are sold on the antique market today along with real artefacts that have often been looted, and therefore require ethical refl ection from scholars.
Cecile Michel, Michael Friedrich
Fakes and Forgeries of Written Artefacts: An Introduction
Part I: From Copies to Forgeries
Cecile Michel
Cuneiform Fakes: A Long History from Antiquity to the Present Day
Catherine Breniquet
How Writing Came about in Glozel, France
Uta Lauer
Venerable Copies: The Afterlife of a Fragment of a Letter by Wang Xizhi (303–361)
Francois Deroche
Fakes and Islamic Manuscripts
Part II: Forgers and Their Motives
Ekkehard Weber
Fake Ancient Roman Inscriptions and the Case of Wolfgang Lazius (1514–1565)
Olivier Gengler
Michel Fourmont and His Forgeries
Jan Just Witkam
Sicilian Sweets. The Fanciful Frauds of Wily Father Vella
Dan Shapira
Et tout le reste est litterature, or: Abraham Firkowicz, the Writer with a Chisel
Malachi Beit-Arie
Supplement: The Forgery of Colophons and Ownership of Hebrew Codices and Scrolls by Abraham Firkowicz
Part III: Identifying Fakes
Claudia Colini
La invencion del Sacromonte: How and Why Scholars Debated about the Lead
Books of Granada for Two Hundred Years
Jost Gippert
Identifying Fakes: Three Case Studies with Examples from Different Types of Written Artefacts
Ira Rabin, Oliver Hahn
Detection of Fakes: The Merits and Limits of Non-Invasive Materials Analysis
Michael Friedrich
Producing and Identifying Forgeries of Chinese Manuscripts
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