O LARP COMO FERRAMENTA DE TRABALHO DO ATOR/PERFORMER

This article proposes a research on larp (acronym for Live Action Role Playing Game), a contemporary artistic expression with a strong presence in the Scandinavian countries and brought to Brazil in recent years, and its relation with the performativity of scenic artists from other areas, with special attention to the theater. By approaching the concept of performativity, we draw a relation between larp and theater/performance, and analyze how some conceptions of the director Constantin Stanislavski may be related to larp. Finally, we try to understand how the practice of different games - products of larp art - can help the actor/performer in the exercise of his work.