Рецензия на монографию С. В. Лавровой «После Вальтера Беньямина: Новая музыка Германии, Австрии и Швейцарии от эпохи цифрового посткапитализма до COVID 19»

The article is a review of the recently published book by S.V. Lavrova «After Walter  Benjamin:  New  Music  in  Germany,  Austria  and  Switzerland  from  the Digital  Post-Capitalist  Era  to  COVID  19».  The  main  semantic  core  of  the research is the problem of the aura, articulated in the famous work of Walter Benjamin «A work of art in the era of its technical reproducibility». Within the framework of the problem of the existence of music in the new conditions of digitalization, the author examines the work of five Austro-German composers: Bernhard  Lang  (1957),  Peter  Ablinger  (1959),  Beat  Furrer  (1954),  Georg Friedrich Haas (1953) and Johannes Kreidler (1980). A feature of this work is that it is also devoted to the problem of the pandemic lockdown of 2020 and how it may affect the state of modern culture and art.