Problems Of National Identity In The Design Of The Modern Koryak Costume

Within the framework of glocalization, it is important to study and preserve the ethnic identity of the art of peoples, especially indigenous and small-numbered ones, to identify their uniqueness, and to popularize various types of creative activities. A special place in the question of the national identity of local ethnic cultures of indigenous peoples is occupied by the stage dance costume, which is sometimes the only element of culture. The article reveals the problems of dance groups when creating stage costumes in the process of their interpretation. The subject of the study was a stage dance costume based on the traditional Koryak costume. The analysis of existing research in the field of creating a stage dance costume based on folk has shown that in the field of creating a stage dance costume of the Koryaks, there is in-formation mainly of a historical character, while it is not considered from the standpoint of national identity as a representation of traditional folk costume in the form of a sociocode that records certain characteristics of a particular culture of a given ethnic group. The article analyzes the traditional clothing of the Koryaks, identifies the in-formation and symbolic symbols of the Koryak costume as a means of identity of national clothing in the field of dance art. The established signs, which represent en-coded information about the distinctive features of the traditional Koryak costume, and allow them to be used as markers of national identity, are used in the development of specific Koryak dance costumes.