Via Crucis i salvament de la Vera Creu (1936-1940) (Vilabertran-Figueres-Olot-París-Girona-Vilabertran)

catalaConeixem les pautes generals de la destruccio i el salvament de patrimoni artistic durant la Guerra Civil espanyola. La casuistica del salvament es diversa; art amagat, art desmuntat, art desplacat, art exhibit. El cas de la Creu de Vilabertran apareix aqui ben documentat, aclarides les imprecisions i les boires que l’envoltaven i amb una cronologia forca fiable d’un itinerari Vilabertran-Vilabertran, passant per Figueres, Olot, Paris i Girona. S’aclareixen tambe alguns aspectes de la intervencio personal del rector, l’alcalde i altres autoritats. La troballa de nova documentacio ha permes fixar millor totes les questions que van afectar el salvament i la itinerancia de la Vera Creu de Vilabertran. EnglishWe know the general guidelines of the destruction and rescue of artistic heritage during the Spanish Civil War. The rescue casuistry is diverse: hidden art, disassembled art, displaced art, exhibited art. The case of the Cross of Vilabertran is well documented here, clarifying the inaccuracies and fog that surrounded it and offering a very reliable chronology of the Vilabertran- Vilabertran itinerary, passing through Figueres, Olot, Paris and Girona. Some aspects of the personal intervention of the rector, the mayor and other authorities are also clarified. The finding of new documentation has made it possible to better answer all the issues that affected the rescue and itinerary of the True Cross of Vilabertran.