Popular music and producing collectivities: the challenges of audience research in contemporary musicology
2015
In this paper I deal with the ways in which the audience functions as a means
of producing collectivities. I define audience as a material body that is a
carrier of affective potential in a certain time and space. Taking Yugoslav
popular music as an example, i.e. the concerts of performers from the
territory of former Yugoslavia, I analyse two crucial issues: the audience at
popular music concerts in Belgrade in the period after the dissolution of
Yugoslavia, and the audience that is created virtually through social
networks.
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