Exploration on Qupai(Labeled Melody),Rhyme and Dialect of "Linchuan Four Dreams" by Tang Xianzu

With demonstration study,the article exemplifies the Qupai(Labeled Melody),rhyme and dialect of "Linchuan Four Dreams" and reverts Tang Xianzu's romantic composition to the historic "macro-background" of romantic composition in late-Ming Dynasty as well as the "micro-background " of east-Gan folk operas after Tang Xianzu returning hometown.It changes such thoughts in the opera circles as the theoretically nonobjective discussions of so-called Tang Xianzu's romances on "melody-lost Qupai ","numerous and jumbled rhyme" and "abrupt local accent",in order to put forward new viewpoints on the so-called "melody-loss" of Tang Xianzu's Romance.