La música como elemento de fuga en una novela de

This article approaches Colombian writer Andres Caicedo’s literary work iQue viva la musica! from an interdiscursive point of view. Behold an analysis of its dialogues and the convergence the novel awakens with the seventies rock and salsa music. Caicedo’s novel portrays from the title itself music as its main character, and reading along reveals how this character structures the discourse developed in the initiation novel. We will see music within Caicedo’s work as the rhythm “in crescendo” of the plot’s intensity.