The Milan Five-Part Diptych as a Manifestation of Orthodoxy
2015
The ivory Diptych of Five Parts, deposited today in the
cathedral treasury in Milan, occupies an exceptional position
in the context of the Early Christian art. The article does not
set its aim to merely subject the proposed hypotheses to
critical thought. It is primarily an attempt to answer other
questions such as the clarification of the artistic models,
identifying the possible commissioner of the work, determining
the reason for its creation as well as its art historical and
cultural historical significance.
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