감금의 시대에 새로이 정의되는 현장성 개념 연구 - 폴스트 엔터테인먼트(Forced Entertainment)의 , 를 중심으로

This thesis reflects on the concept of 'Here and Now' in performing arts. Due to the spread of the Covid-19 virus in 2020, performing arts are confronted with discovering new concepts above 'Here and Now'. The British performing group Forced Entertainment has been searching for a point where they can connect performing arts with online live streaming since 2008. FE allows the audience to experience a lifelike time by freeing 'now' positioning the audience “in” the work through long durational performances. On the contrary, through table plays, to reflect on the representation framed by the works by transcending 'here' pulling the audience “out” of a small space. Each of the two extreme points that FE attempts give a sense of the life that has been confined in the Internet by evoking the temporality that has been deleted from the Internet art and giving an opportunity to reflect the representation of the space that has only been escaped so far.