詩人與大自然的對話－論董恕明《紀念品》的書寫位置

In the field of Aboriginal literature, Dong Shu-ming is one of the few female writers of both ”scholar” and ”writer” status. ”Souvenirs” is her first collection of poems as well as the first ”pure poetry” wrote by native female writers which have then made her the perfect representative in the history of indigenous literature development. Based on Dong Shu-ming's descent from Puyuma and mainland China province as well as her across the Native literary scholar and founder of the ”double sound/body” position, the poetess' early works, this paper intends to investigate how the apparent identity problems will be represented in ”Souvenirs”. Furthermore, the poem is full of personification of the natural world to imagine the point of view of the subject matter and content, it seems that has overflowed to understand the scope of aboriginal literature, this paper attempts, through the animist faith in the traditional tribal culture, analysis poetess on how ”Spirit of magic realism” approach will Gnostic thinking into the nature writing, thereby shaping the individual artistic styles. Followed by the creation of in-depth poems and grammatical structure, and Puyuma Traditional Witchcraft culture juxtaposition reference, this paper explores how the mother tongue penetrate the poetry and achieve this collection of poems with Native aesthetic characteristics.