OUR EXPERIENCE IN SUBJECTIVE PERCEPTION IN CONCERT HALLS

Numerous objective parameters have been proposed by different investigators for studying musical perception. These create different ways of tackling such study, depending on the fundamental attributes to be considered. A selection of these parameters is necessary due to musical audition requirements in our sociocultural environment. In this article we present our work in this regard, studying the dependence or independence between the parameters most commonly used and their correlation with subjective perception. To carry out the study halls were selected following typological, functional, constructive, patrimonial, capacity, etc., criteria. Numerous measurements were determined in these halls and a survey was completed by an audience and a group of experts regarding their subjective responses, which covers the whole area of audition. This study is part of the research coordinated project (BIA2003-09306-C04) 1 of