К мифопоэтике русского Орфея: опыт синкретической интерпретации

Taking into consideration the mythical image of Orpheus as a self-contained symbol in national, characteristic discourse (philosophical, poetic, musical and artistic) of the Silver Age of Russian culture, in this article we are trying to define some topological Russian features, acquired by famous mythologem and its narrative parallels. Furthermore we make an assumption of the spiritual intentions that lie at the root of that peculiarity. The argumentation is illustrated by the very syncretic nature of artistic language of the period.