곡성 동악산 구곡의 실체 및 문화경관적 특성과 가치

This study was conducted through a site survey and documentary survey in order to identify Gugok across three valleys in Cheonryu-dong, Goban-dong, and Wongye-dong of Dongaksan Mountain(736.8m), in Gokseong-gun, Jeollanam-do, to preserve and make use of cultural landscape of Gugok, Gokseong-gun and to provide basic data that can be used as Dongaksan Mountain recreational resource by focusing on the meaning and cultural-landscape characteristics. The major study results are as follows. Valleys in Dongaksan Mountain include mooring bedrocks landscape such as falls, ponds, or swamps. The phrase of ‘Samnamjeilambangyeru Cheonryu-dong(三南第一巖盤溪流 淸流洞)' describes that Cheonryugugok where Gugok culture, which had been considered as the archetype of Neo-Confucianism culture, was empirically introduced and also called as 'Dorimsa Valley', has excellent landscapes, as described in '1872 Provincial Maps' of Gok Seong-hyeon. The sceneries of the season, epigrams, and poems are engraved on the bedrocks and boulders in Cheonryu, Goban, and Wongye Gugok　Valley in Dongaksan Mountain. In effect, in case of Cheonryu Gugok, the paired sceneries of the season and epigrams have its own uniqueness and identity. It was assumed that these Gugoks were named by Jeong Sun-tae and Jo Byeong-sun in the Japanese colonial era. Considering that these places were used for Janggujiso or as a gathering place of ancient sages including Buddhist leaders, Silhak scholars, and Korean independence activists, it is assumed that they have been visited by many masters as a hideout or showplace because of its beautiful landscapes. Dongaksan Mountain gugok, which is the only proved Gugok in Jeollanam-do, has 165 kinds of letters carved on the rocks, which is the highest number in Korea. There are meaning self-discipline such as the teachings of Neo-Confucianism, 40 human names, sceneries or epigrams, and Janggujisos. In particular, the letters carved on the rocks in Dongaksan Gugok including the famous phrases or celebrities such as Sunsaeuhje(鮮史御帝, Emperor Gojong), Bogahyowoo(保家孝友, Emperor Gojong), Manchunmungywol(萬川明月, King Joengjo), Biryeobudong(非禮不動, Chongzhen Emperor of the Ming Dynasty)’, Samusa(思無邪, Euijong of the Ming Dynasty), Baksechungpwoong(百世淸風, Chu Hsi), and Chungryususuk-Dongakpungkyung(淸流水石 動樂風景, Heungseon Daewongun) are an excellent repository of artistic and cultural landscapes showing the Confucian artistic spirit and symbolic meanings. In terms of improving the identifiability of the letters carved on the rocks in the three Gugok areas and the. cultural landscape values, many different methods for using this area as recreational resource will be accompanied; the use of traditional technique Juchil(朱漆), transmission of tastes for the arts such as curve-stream banquet and many types of poetry clubs, and its associative use as a tracking course. Moreover, through a general academic investigation on the Dongaksan Mountain areas including Gugok, proper institutional strategy, such as designation as a provincial park or cultural heritage, should be rapidly established. for its preservation.