Studies in the Printing, Publishing and Performance of Music in the 16th Century

Contents: Introduction. Printing: The 'first' edition of the Odhecaton A Petrucci's type-setters and the process of stemmatics A case of work and turn half-sheet imposition in the early 16th century Printed music books of the Italian Renaissance from the point of view of manuscript study The Salzburg liturgy and single-impression music printing. Publishing: Early music printing: working for a specialized market Some non-conflicting attributions, and some newly anonymous compositions, from the early 16th century The music publisher's view of his public's abilities and taste: Venice and Antwerp. Performance: Notational spelling and scribal habit False relations and the cadence Two aspects of performance practice in the Sistine Chapel of the early 16th century. Indexes.