Cannibals, Monsters and Weasels: Creating a French Enemy in the United States during the 1790s Quasi-War and the 2003 Iraq War Diplomatic Crisis

2020 
This article assesses the creation of an enemy image of France and the French in the United States in two separate historical contexts. Although France and the United States have usually enjoyed rather positive relations throughout history after the signing of the Treaty of Amity and Commerce in 1778, the French were widely depicted as America’s enemy during the late 1790s Quasi-War, and more recently after France refused to support U.S. military intervention in Iraq in 2003-2004. In the first instance, an undeclared naval war opposed the two countries as the French government allowed for seizure of American ships in the wake of the 1795 Jay Treaty the US had signed with Great Britain, a conflict which escalated when U.S. navy later began to fight the French in the Caribbean. In 2003-2004, an acute diplomatic crisis induced a confrontation between the two nations when France suggested it would use its veto power to block passage of a United Nations Security Council resolution authorizing a U.S.- led military operation against Iraq. The aim of this study is to provide an understanding of the process through which the image of France was transformed, in both historical contexts, from that of ally and friend into that of a threatening other. Particular attention is paid to the creation and use of cultural stereotypes in statements by American officials, as well as in the media campaigns that characterized both diplomatic crises. Although the enemy image of France underwent significant changes between 1797 and 2003, our research shows that a number of cultural stereotypes that were created during the Quasi-War were revived during the 2003 diplomatic crisis. Chief amongst those is the association of France with terror and tyranny. This article also examines the deep political divisions that pitted Federalists against Republicans in the 1790s, and Neo-Conservative “hawks” against anti-war “doves” in 2003. These disputes shed light on the creation of enemy images of France in the United States. In both cases, the French antagonist was as mirror and a scapegoat that provides as much information on American identity and U.S. political debates as it does about American views on France and the French.
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