Dreyfus and Zeami on Embodied Expertise

This chapter explores a non-intellectualist approach to skilled expertise by comparing modern phenomenological philosopher Hubert Dreyfus’ account of absorbed coping with fifteenth-century Japanese dramatist Zeami Motokiyo’s account of Noh performance. It begins by presenting Dreyfus’ account of skilled performance and skill development, which envisages “conceptual mindedness” as the enemy of expertise. It then moves on to introduce Zeami’s account of skilled expertise in Noh by focusing on three key concepts, namely mushin (無心, the no-mind), shoshin (初心, the beginner’s mindset), and hana (花, the flower). By comparing these two similarly non-intellectualist approaches, it argues that Zeami offers a helpful perspective in supplementing Dreyfus’s account by illuminating the role of conceptual knowledge, the open-ended character of skill development, and the cooperative relationship between the actor and the environment. At the same time, it suggests that the phenomenologist’s account of skilled expertise is unjustifiably biased towards young, healthy, able agents, overlooking the inescapable vulnerability of human embodiment.