La creación no discursiva: pintura/cine

This paper addresses a thematic particular linked to Michel Foucaultand Gilles Deleuzes concerns, in order to investigate the way in which film -in a cartography closed to other arts- shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline -in short, a practice-. In this context, our goal is to discover some unique creative operations -that is, proper, exclusive- of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers. Palabras claves: