Счастливая ошибка Альберта Эйнштейна

In 1922 the famous “dialogue of two monologues” by Albert Einstein and Henri Bergson on the nature of time took place in Paris. In the wake of the discussion, Bergson wrote a book where he claimed that by proclaiming the multiplicity of times, the theory of relativity actually proved the uniqueness of time. Einstein, intuitively using a person with a watch, did not notice that he is the time carrier. One of the two compared inertial reference systems is theoretically always mo­tionless and a person cannot be eliminated from it. In the moving system “time” there is a fiction that serves only to measure the difference in speeds between the two systems. Such a mathematical construction, says Bergson, is a dynamic analogue of the direct perspective in European art. This geometric technique was invented by painters to represent three-dimensional space on a two-dimensional plane. The prospect became the visual content of the Renaissance and led to the scientific revolution of the 17th century. The true history of the scientific revolu­tion of the early twentieth century has not yet been written. Its hidden meaning lies in an adequate understanding of the nature of real time, complementing the theory of relativity. The synthesis of the ideas of Bergson and Einstein served Vladimir Vernadsky to create the concept of eternity of life.