從民族戲曲學論臺灣傳統戲曲的實驗－以《八月雪》為例

This paper aims to analyze the creative views of Taiwanese traditional theatre and Gao Xingjian, the Nobel Prize winner, reflected in his ”modern Oriental opera”, August Snow. The contemporary development of the traditional theatre and the mixture of Eastern and Western performing Arts will be scrutinized by the theory of Ethnoscenology. Simultaneously explored are the practices of directing, content of performance, and stage presentation embodied in the production of August Snow, which was co-produced by Gao Xingjian, the Theatre Troupe of Chinese Opera belonging to National Taiwan Theatre Academy and National Kuokuang Theatre Troupe in the year of 2002 to reveal its artistic elements and creative views