Valores familiares y comunitarios en el cine de John Ford

espanolEsta investigacion aborda la filmografia de John Ford para profundizar en la vision que el director tenia de dos de las realidades ambitales que con mas profusion retrato a lo largo de su obra: la familia y el ejercito. Tras una contextualizacion biografica, historica y social, y un acercamiento a la vision del ejercito y la familia que Ford plasma en su cine, se aborda el analisis antropologico de la obra Rio Grande (1950). Para el desarrollo de este estudio se hace uso de la metodologia quintasiana, que se aplica a tres dialogos clave de la cinta. EnglishThis research deals with John Ford’s filmography to deepen the vision that the director had of two of the ambit realities that portrayed most throughout his work: the family and the army. After a biographical, historical and social contextualization, and an approach to the vision of the Army and the family that Ford portrays in his cinema, this article focuses on the anthropological analysis of the movie Rio Grande (1950). For the development of this study is made use of Lopez Quintas methodology, which is applied to three key dialogues of the movie