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Subversion

Subversion (Latin subvertere: overthrow) refers to a process by which the values and principles of a system in place are contradicted or reversed, in an attempt to transform the established social order and its structures of power, authority, hierarchy, and social norms. Subversion can be described as an attack on the public morale and, 'the will to resist intervention are the products of combined political and social or class loyalties which are usually attached to national symbols. Following penetration, and parallel with the forced disintegration of political and social institutions of the state, these loyalties may be detached and transferred to the political or ideological cause of the aggressor'. Subversion is used as a tool to achieve political goals because it generally carries less risk, cost, and difficulty as opposed to open belligerency. Furthermore, it is a relatively cheap form of warfare that does not require large amounts of training. A subversive is something or someone carrying the potential for some degree of subversion. In this context, a 'subversive' is sometimes called a 'traitor' with respect to (and usually by) the government in power.'Subversion is the undermining or detachment of the loyalties of significant political and social groups within the victimized state, and their transference, under ideal conditions, to the symbols and institutions of the aggressor.''Subversion — Actions designed to undermine the military, economic, psychological, or political strength or morale of a governing authority.''Subversive Activity — Anyone lending aid, comfort, and moral support to individuals, groups, or organizations that advocate the overthrow of incumbent governments by force and violence is subversive and is engaged in subversive activity. All willful acts that are intended to be detrimental to the best interests of the government and that do not fall into the categories of treason, sedition, sabotage, or espionage will be placed in the category of subversive activity.''Subversive Political Action — A planned series of activities designed to accomplish political objectives by influencing, dominating, or displacing individuals or groups who are so placed as to affect the decisions and actions of another government.'Subversion — 'A destructive, aggressive activity aimed to destroy the country, nation, or geographical area of your enemy... .Subversion — Roger Trinquier defined subversion as a term that could be lumped together under the name modern warfare, 'as being interlocking systems of actions, political, economic, psychological and military that aims at the overthrow of established authority in a country.' Subversion (Latin subvertere: overthrow) refers to a process by which the values and principles of a system in place are contradicted or reversed, in an attempt to transform the established social order and its structures of power, authority, hierarchy, and social norms. Subversion can be described as an attack on the public morale and, 'the will to resist intervention are the products of combined political and social or class loyalties which are usually attached to national symbols. Following penetration, and parallel with the forced disintegration of political and social institutions of the state, these loyalties may be detached and transferred to the political or ideological cause of the aggressor'. Subversion is used as a tool to achieve political goals because it generally carries less risk, cost, and difficulty as opposed to open belligerency. Furthermore, it is a relatively cheap form of warfare that does not require large amounts of training. A subversive is something or someone carrying the potential for some degree of subversion. In this context, a 'subversive' is sometimes called a 'traitor' with respect to (and usually by) the government in power. Subversion, however, is also often a goal of comedians, artists and people in those careers. In this case, being subversive can mean questioning, poking fun at, and undermining the established order in general. When a comedy or comic is referred to as being subversive, it is as much of a compliment to their work as it could be an accusation, from comics like Charlie Chaplin, Lenny Bruce, Andy Kaufman and Stephen Colbert to writers like Paddy Chayefsky, Larry Charles and Mel Brooks, to activists like Abbie Hoffman, and Michael Moore, to artists like The Yes Men and monochrom. Satire is one of the most potent forms of subversion for artists and comics, and it can take shape in films, television, books, and even political protest. Terrorist groups generally do not employ subversion as a tool to achieve their goals. Subversion is a manpower-intensive strategy and many groups lack the manpower and political and social connections to carry out subversive activities. However, actions taken by terrorists may have a subversive effect on society. Subversion can imply the use of insidious, dishonest, monetary, or violent methods to bring about such change. This is in contrast to protest, a coup d'état, or working through traditional means (if) available in a political system to bring about change. Furthermore, external subversion is where, 'the aggressor state attempts to recruit and assist indigenous political and military actors to overthrow their government by coup d’état'. If subversion fails in its goal of bringing about a coup it is possible that the actors and actions of the subversive group could transition to insurrection, insurgency, and/or guerilla warfare. The word is present in all languages of Latin origin (see seditio), originally applying to such events as the military defeat of a city. As early as the 14th century, it was being used in the English language with reference to laws, and in the 15th century came to be used with respect to the realm. The term has taken over from 'sedition' as the name for illicit rebellion, though the connotations of the two words are rather different, sedition suggesting overt attacks on institutions, subversion something much more surreptitious, such as eroding the basis of belief in the status quo or setting people against each other. The problem with defining the term subversion is that there is not a single definition that is universally accepted. Charles Townshend described subversion as a term, 'so elastic as to be virtually devoid of meaning, and its use does little more than convey the enlarged sense of the vulnerability of modern systems to all kinds of covert assaults'. What follows are some of the many attempts to define the term: Defining and understanding subversion means identifying entities, structures, and things that can be subverted. Furthermore, it may help to identify practices and tools that are not subversive. Institutions and morals can be subverted, but ideology on the other hand cannot. The fall of a government or the creation of a new government as a result of an external war is not subversion. Espionage does not count as subversion because it is not an action that leads directly to an overthrow of a government. Information gathered from espionage may be used to plan and carry out subversive activities. To gain an understanding of what is considered to be subversive requires understanding the intent of those taking action. This makes defining and identifying subversion a difficult process. As Laurence Beilenson points out, 'to criticize a government in an effort to reform it or to change its policies is not subversion, even though such criticism may contribute to overthrow. But criticism intended to help a projected overthrow becomes subversive without regard to whether it is right or wrong.' Subversion can generally be broken down into internal and external subversion, but this distinction is not meant to imply that each follows a specific set of unique and separate tools and practices. Each subversive campaign is different because of the social, political, economic, cultural, and historical differences that each country has. Subversive activities are employed based upon an evaluation of these factors. This breakdown merely clarifies who the actors are. While the subversive actors may be different, the soon to be subverted targets are the same. As Paul Blackstock identifies, the ruling and political elites are the ultimate targets of persuasion because they control the physical instruments of state power.

[ "Humanities", "Market economy", "Art history", "Literature", "Law", "Subversion and containment" ]
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