Indian English literature

Indian English literature (IEL) is the body of work by writers in India who write in the English language and whose native or co-native language could be one of the numerous languages of India. Its early history began with the works of Michael Madhusudan Dutt followed by R. K. Narayan, Mulk Raj Anand and Raja Rao who contributed to Indian fiction in the 1930s. It is also associated with the works of members of the Indian diaspora who are of Indian descent. Indian English literature (IEL) is the body of work by writers in India who write in the English language and whose native or co-native language could be one of the numerous languages of India. Its early history began with the works of Michael Madhusudan Dutt followed by R. K. Narayan, Mulk Raj Anand and Raja Rao who contributed to Indian fiction in the 1930s. It is also associated with the works of members of the Indian diaspora who are of Indian descent. It is frequently referred to as Indo-Anglian literature. (Indo-Anglian is a specific term in the sole context of writing that should not be confused with Anglo-Indian). As a category, this production comes in the broader realm of postcolonial literature—the production from previously colonised countries such as India. IEL has a relatively recent history, being only one and a half centuries old. The first book written by an Indian in English was Travels of Dean Mahomed, a travel narrative by Sake Dean Mahomed published in England on 1793. In its early stages, IEL was influenced by the Western novel. Early Indian writers used English unadulterated by Indian words to convey an experience which was essentially Indian. Bankim Chandra Chattopadhyay (1838–1894) wrote Rajmohan's Wife and published it in 1864; it is the first Indian novel written in English. Raja Rao (1908–2006), Indian philosopher and writer, authored Kanthapura and The Serpent and the Rope, which are Indian in terms of their storytelling qualities. Kisari Mohan Ganguli translated the Mahabharata into English, the only time the epic has ever been translated in its entirety into a European language. Rabindranath Tagore (1861–1941) wrote in Bengali and English and was responsible for the translations of his own work into English. Dhan Gopal Mukerji (1890–1936) was the first Indian author to win a literary award in the United States. Nirad C. Chaudhuri (1897–1999), a writer of non-fiction, is best known for his The Autobiography of an Unknown Indian (1951), in which he relates his life experiences and influences. P. Lal (1929–2010), a poet, translator, publisher and essayist, founded a press in the 1950s for Indian English writing, Writers Workshop. Ram Nath Kak (1917–1993), a Kashmiri veterinarian, wrote his autobiography Autumn Leaves, which is one of the most vivid portraits of life in 20th century Kashmir and has become a sort of a classic. R. K. Narayan (1906–2001) contributed over many decades and continued to write till his death. He was discovered by Graham Greene in the sense that the latter helped him find a publisher in England. Greene and Narayan remained close friends till the end. Similar to the way Thomas Hardy used Wessex, Narayan created the fictitious town of Malgudi where he set his novels. Some criticise Narayan for the parochial, detached and closed world that he created in the face of the changing conditions in India at the times in which the stories are set. Others, such as Greene, however, feel that through Malgudi they could vividly understand the Indian experience. Narayan's evocation of small town life and its experiences through the eyes of the endearing child protagonist Swaminathan in Swami and Friends is a good sample of his writing style. Simultaneous with Narayan's pastoral idylls, a very different writer, Mulk Raj Anand (1905–2004), was similarly gaining recognition for his writing set in rural India, but his stories were harsher, and engaged, sometimes brutally, with divisions of caste, class and religion. According to writer Lakshmi Holmström, 'The writers of the 1930s were fortunate because after many years of use, English had become an Indian language used widely and at different levels of society, and therefore they could experiment more boldly and from a more secure position.' Kamala Markandeya is an early writer in IEL who has often grouped with the trinity of R.K. Narayan, Mulk Raj Anand and Raja Rao. The contributions of Manoj Das and Manohar Malgoankar to growth of IEL largely remains unacknowledged. Among the later writers, the most notable is Salman Rushdie, born in India and now living in the USA. Rushdie, with his famous work Midnight's Children (Booker Prize 1981, Booker of Bookers 1992, and Best of the Bookers 2008), ushered in a new trend of writing. He used a hybrid language – English generously peppered with Indian terms – to convey a theme that could be seen as representing the vast canvas of India. He is usually categorised under the magic realism mode of writing most famously associated with Gabriel García Márquez. Nayantara Sehgal was one of the first female Indian writers in English to receive wide recognition. Her fiction deals with India's elite responding to the crises engendered by political change. She was awarded the 1986 Sahitya Akademi Award for English, for her novel, Rich Like Us (1985), by the Sahitya Akademi, India's National Academy of Letters. Anita Desai, who was shortlisted for the Booker Prize three times, received a Sahitya Akademi Award in 1978 for her novel Fire on the Mountain and a British Guardian Prize for The Village by the Sea. Her daughter Kiran Desai won the 2006 Man Booker Prize for her second novel, The Inheritance of Loss. Ruskin Bond received Sahitya Akademi Award for his collection of short stories Our Trees Still Grow in Dehra in 1992. He is also the author of a historical novel A Flight of Pigeons, which is based on an episode during the Indian Rebellion of 1857. Vikram Seth, author of The Golden Gate (1986) and A Suitable Boy (1994) is a writer who uses a purer English and more realistic themes. Being a self-confessed fan of Jane Austen, his attention is on the story, its details and its twists and turns.Vikram Seth is notable both as an accomplished novelist and poet. Vikram Seth is also a prolific poet. Another writer who has contributed immensely to the Indian English Literature is Amitav Ghosh who is the author of The Circle of Reason (his 1986 debut novel), The Shadow Lines (1988), The Calcutta Chromosome (1995), The Glass Palace (2000), The Hungry Tide (2004), and Sea of Poppies (2008), the first volume of The Ibis trilogy, set in the 1830s, just before the Opium War, which encapsulates the colonial history of the East. Ghosh's latest work of fiction is River of Smoke (2011), the second volume of The Ibis trilogy. Rohinton Mistry is an India born Canadian author who is a Neustadt International Prize for Literature laureate (2012). His first book Tales from Firozsha Baag (1987) published by Penguin Books Canada is a collection of 11 short stories. His novels Such a Long Journey (1991) and A Fine Balance (1995) earned him great acclaim. Shashi Tharoor, in his The Great Indian Novel (1989), follows a story-telling (though in a satirical) mode as in the Mahabharata drawing his ideas by going back and forth in time. His work as UN official living outside India has given him a vantage point that helps construct an objective Indianness. Vikram Chandra is another author who shuffles between India and the United States and has received critical acclaim for his first novel Red Earth and Pouring Rain (1995) and collection of short stories Love and Longing in Bombay (1997). His namesake Vikram A. Chandra is a renowned journalist and the author of The Srinagar Conspiracy (2000). Suketu Mehta is another writer currently based in the United States who authored Maximum City (2004), an autobiographical account of his experiences in the city of Mumbai. In 2008, Arvind Adiga received the Man Booker Prize for his debut novel The White Tiger.