Lip sync

Lip sync or lip synch (short for lip synchronization) is a technical term for matching a speaking or singing person's lip movements with prerecorded sung or spoken vocals that listeners hear, either through the sound reinforcement system in a live performance or via television, computer, cinema speakers, or generally anything with audio output in other cases. The term can refer to any of a number of different techniques and processes, in the context of live performances and audiovisual recordings. Lip sync or lip synch (short for lip synchronization) is a technical term for matching a speaking or singing person's lip movements with prerecorded sung or spoken vocals that listeners hear, either through the sound reinforcement system in a live performance or via television, computer, cinema speakers, or generally anything with audio output in other cases. The term can refer to any of a number of different techniques and processes, in the context of live performances and audiovisual recordings. In film production, lip-synching is often part of the postproduction phase. Dubbing foreign-language films and making animated characters appear to speak both require elaborate lip-synching. Many video games make extensive use of lip-synched sound files to create an immersive environment in which on-screen characters appear to be speaking. In the music industry, lip-synching is used by singers for music videos, television and film appearances and some types of live performances. Lip-synching by singers can be controversial to fans attending concert performances who expect to view a live performance. Lip sync is also referred to as 'lip-sync' or 'lip-synch'. The proper spelling is sync (when used alone), and synchronize, synchronizing and synchronization. The term 'sync' or 'synch' is pronounced /sɪŋk/, the same as the word 'sink'. (Listen). Lip-synching is considered a part of miming. It can be used to make it appear as though actors have substantial singing ability (e.g., The Partridge Family television show), to simulate a vocal effect that can be achieved only in the recording studio, e.g. Cher's Believe, which used an Auto-Tune effects processing on her voice; to improve performance during choreographed live dance numbers that incorporate vocals; to misattribute vocals entirely (e.g., Milli Vanilli, a band which lip-synced to recordings made by other singers), or to cover deficiencies in live performance. It is also commonly used in drag shows. Sometimes lip sync performances are forced on performers by television producers to shorten the guest appearances of celebrities, as it requires less time for rehearsals and hugely simplifies the process of sound mixing, or to eliminate the risk of vocal errors. Some artists lip sync because they are not confident singing live and want to avoid singing out of tune. Because the film track and music track are recorded separately during the creation of a music video, artists usually lip-sync their songs and often imitate playing musical instruments as well. Artists also sometimes move their lips at a faster speed than the recorded track, to create videos with a slow-motion effect in the final clip, which is widely considered to be complex to achieve. Similarly, some artists have been known to lip-sync backwards for music videos such that, when reversed, the singer is seen to sing forwards while time appears to move backwards in his or her surroundings. Notable exceptions to this trend include Bruce Springsteen's hit 'Streets of Philadelphia', which only uses the instruments as a backing track while the vocals were recorded with a microphone attached on the singer, giving a different feel to it. On American Bandstand and most variety shows of the 1960s, vocals and instrumentals were all (with a few notable exceptions on American Bandstand) synced to pre-recorded music. Since the advent of MTV in the 1980s, many artists have focused on visual effects, rather than singing, for their live shows. Artists often lip-sync during strenuous dance numbers in both live and recorded performances. Some singers habitually lip-sync during live performance, both concert and televised, whereas others do lip syncing only for certain songs or types of performances. Artists often lip-synch during strenuous dance numbers in both live and recorded performances, due to lung capacity being needed for physical activity (both at once would require incredibly trained lungs). Michael Jackson is an example of this; he performed complex dance routines while lip-syncing and live singing. His performance on the television special Motown 25: Yesterday, Today, Forever (1983) changed the scope of live stage show. Ian Inglis, author of Performance and Popular Music: History, Place and Time (2006) notes the fact that 'Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience,' thus creating an era in which artists recreate the spectacle of music video imagery on stage. Chris Nelson of The New York Times reported: 'Artists like Madonna and Janet Jackson set new standards for showmanship, with concerts that included not only elaborate costumes and precision-timed pyrotechnics but also highly athletic dancing. These effects came at the expense of live singing.' Edna Gundersen of USA Today comments that the complexity of modern stage show has forced 'singing and musicianship into minor roles', citing as example artists such as New Kids on the Block, Milli Vanilli, George Michael, Cher, Paula Abdul and Janet Jackson. Gundersen elaborates: 'The most obvious example is Madonna's Blond Ambition World Tour, a visually preoccupied and heavily choreographed spectacle. Madonna lip-syncs the duet 'Now I'm Following You', while a Dick Tracy character mouths Warren Beatty's recorded vocals. On other songs, background singers plump up her voice, strained by the exertion of non-stop dancing.' Billboard editor Thom Duffy commented: 'The expectations of fans have changed, and that's the driving force here ... They expect a concert as perfect as what they see on MTV.' Rashod D. Ollison of The Baltimore Sun observes: 'Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket.' Gundersen comments that while lip-syncing may be used to augment live singing.