Forensic facial reconstruction

Forensic facial reconstruction (or forensic facial approximation) is the process of recreating the face of an individual (whose identity is often not known) from their skeletal remains through an amalgamation of artistry, anthropology, osteology, and anatomy. It is easily the most subjective—as well as one of the most controversial—techniques in the field of forensic anthropology. Despite this controversy, facial reconstruction has proved successful frequently enough that research and methodological developments continue to be advanced. Forensic facial reconstruction (or forensic facial approximation) is the process of recreating the face of an individual (whose identity is often not known) from their skeletal remains through an amalgamation of artistry, anthropology, osteology, and anatomy. It is easily the most subjective—as well as one of the most controversial—techniques in the field of forensic anthropology. Despite this controversy, facial reconstruction has proved successful frequently enough that research and methodological developments continue to be advanced. In addition to remains involved in criminal investigations, facial reconstructions are created for remains believed to be of historical value and for remains of prehistoric hominids and humans. There are two forms pertaining to identification in forensic anthropology: circumstantial and positive. Facial reconstruction presents investigators and family members involved in criminal cases concerning unidentified remains with a unique alternative when all other identification techniques have failed. Facial approximations often provide the stimuli that eventually lead to the positive identification of remains. In the U.S., the Daubert Standard is a legal precedent set in 1993 by the Supreme Court regarding the admissibility of expert witness testimony during legal proceedings, set in place to ensure that expert testimony is based on sufficient facts or data, derived from proper application of reliable principles and methods. When multiple forensic artists produce approximations for the same set of skeletal remains, no two reconstructions are ever the same and the data from which approximations are created are largely incomplete. Because of this, forensic facial reconstruction does not uphold the Daubert Standard, is not considered a legally recognized technique for positive identification, and is not admissible as expert testimony. Currently, reconstructions are only produced to aid the process of positive identification in conjunction with verified methods. Two-dimensional facial reconstructions are based on ante mortem photographs, and the skull. Occasionally skull radiographs are used but this is not ideal since many cranial structures are not visible or at the correct scale. This method usually requires the collaboration of an artist and a forensic anthropologist. A commonly used method of 2D facial reconstruction was pioneered by Karen T. Taylor of Austin, Texas during the 1980s. Taylor's method involves adhering tissue depth markers on an unidentified skull at various anthropological landmarks, then photographing the skull. Life-size or one-to-one frontal and lateral photographic prints are then used as a foundation for facial drawings done on transparent vellum. Recently developed, the F.A.C.E. and C.A.R.E.S. computer software programs quickly produce two-dimensional facial approximations that can be edited and manipulated with relative ease. These programs may help speed the reconstruction process and allow subtle variations to be applied to the drawing, though they may produce more generic images than hand-drawn artwork. Three-dimensional facial reconstructions are either: 1) sculptures (made from casts of cranial remains) created with modeling clay and other materials or 2) high-resolution, three-dimensional computer images. Like two-dimensional reconstructions, three-dimensional reconstructions usually require both an artist and a forensic anthropologist. Computer programs create three-dimensional reconstructions by manipulating scanned photographs of the unidentified cranial remains, stock photographs of facial features, and other available reconstructions. These computer approximations are usually most effective in victim identification because they do not appear too artificial. This method has been adopted by the National Center for Missing & Exploited Children, which uses this method often to show approximations of an unidentified decedent to release to the public in hopes to identify the subject. Superimposition is a technique that is sometimes included among the methods of forensic facial reconstruction. It is not always included as a technique because investigators must already have some kind of knowledge about the identity of the skeletal remains with which they are dealing (as opposed to 2D and 3D reconstructions, when the identity of the skeletal remains are generally completely unknown). Forensic superimpositions are created by superimposing a photograph of an individual suspected of belonging to the unidentified skeletal remains over an X-ray of the unidentified skull. If the skull and the photograph are of the same individual, then the anatomical features of the face should align accurately. Hermann Welcker in 1883 and Wilhelm His, Sr. in 1895, were the first to reproduce three-dimensional facial approximations from cranial remains. Most sources, however, acknowledge His as the forerunner in advancing the technique. His also produced the first data on average facial tissue thickness followed by Kollmann and Buchly who later collected additional data and compiled tables that are still referenced in most laboratories working on facial reproductions today.