DMX512 (Digital Multiplex) is a standard for digital communication networks that are commonly used to control stage lighting and effects. It was originally intended as a standardized method for controlling light dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It soon became the primary method for linking controllers (such as a lighting console) to dimmers and special effects devices such as fog machines and intelligent lights. DMX has also expanded to uses in non-theatrical interior and architectural lighting, at scales ranging from strings of Christmas lights to electronic billboards. DMX can now be used to control almost anything, reflecting its popularity in theaters and venues.A concession to use an alternate connector is available only when it is physically impossible to mount a 5-pin XLR connector on the product. In such cases all the following additional requirements shall be met :1) The alternate connector shall not be any type of XLR connector.2) The alternate connector shall not be any type of IEC 60603-7 8-position modular connector except as allowed in clause 7.3.A NULL START Code identifies subsequent data slots as a block of un-typed sequential 8-bit information. DMX512 (Digital Multiplex) is a standard for digital communication networks that are commonly used to control stage lighting and effects. It was originally intended as a standardized method for controlling light dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It soon became the primary method for linking controllers (such as a lighting console) to dimmers and special effects devices such as fog machines and intelligent lights. DMX has also expanded to uses in non-theatrical interior and architectural lighting, at scales ranging from strings of Christmas lights to electronic billboards. DMX can now be used to control almost anything, reflecting its popularity in theaters and venues. DMX512 employs EIA-485 differential signaling at its physical layer, in conjunction with a variable-size, packet-based communication protocol. It is unidirectional. DMX512 does not include automatic error checking and correction, and so is not an appropriate control for hazardous applications, such as pyrotechnics or movement of theatrical rigging. False triggering may be caused by electromagnetic interference, static electricity discharges, improper cable termination, excessively long cables, or poor quality cables. Developed by the Engineering Commission of United States Institute for Theatre Technology (USITT), the DMX512 standard (For 'Digital Multiplex with 512 pieces of information') was created in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. In 1998 the Entertainment Services and Technology Association (ESTA) began a revision process to develop the standard as an ANSI standard. The resulting revised standard, known officially as 'Entertainment Technology—USITT DMX512-A—Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories', was approved by the American National Standards Institute (ANSI) in November 2004. It was revised again in 2008, and is the current standard known as 'E1.11 – 2008, USITT DMX512-A', or just 'DMX512-A'. A DMX512 network employs a multi-drop bus topology with nodes strung together in what is commonly called a daisy chain. A network consists of a single DMX512 controller – which is the master of the network — and one or more slave devices. For example, a lighting console is frequently employed as the controller for a network of slave devices such as dimmers, fog machines and intelligent lights.