Media ecology theory is the study of media, technology, and communication and how they affect human environments. The theoretical concepts were proposed by Marshall McLuhan in 1964, while the term media ecology was first formally introduced by Neil Postman in 1968....an overarching thread in media ecological scholarship, exemplified by McLuhan's (1964/1994) assertion that 'the medium is the message', the technological bias of a medium carries greater importance than the particular message it is delivering. McLuhan saw changes in the dominant medium of communication as the main determinant of major changes in society, culture, and the individual. This McLuhanesque logic, which rests at the center of the media ecology tradition, is often criticized for its media determinism. Seeing the biases of media technologies as the primary force for social and cultural change resembles the hard technological determinism of the embodied theory of technological bias. Although we may never know the true impact, in fact it likely sped up the regime's fall. In the absence of new technologies, people were forced to rely on traditional means of communication, including knocking on doors, going to the mosque, assembling in the street, or other central gathering places. Thomas Schelling won a Nobel prize in part for discovering that in the absence of information, people will coordinate by selecting a focal point that seems natural, special or relevant to them. Given the protests, Tahrir Square was the obvious focal point. By blocking the Internet, the government inadvertently fueled dissent and galvanized international support for the people of Egypt. (Bowman 2011) Media ecology theory is the study of media, technology, and communication and how they affect human environments. The theoretical concepts were proposed by Marshall McLuhan in 1964, while the term media ecology was first formally introduced by Neil Postman in 1968. Ecology in this context refers to the environment in which the medium is used – what they are and how they affect society. Neil Postman states, 'if in biology a 'medium' is something in which a bacterial culture grows (as in a Petri dish), in media ecology, the medium is 'a technology within which a culture grows.'' In other words, 'Media ecology looks into the matter of how media of communication affect human perception, understanding, feeling, and value; and how our interaction with media facilitates or impedes our chances of survival. The word ecology implies the study of environments: their structure, content, and impact on people. An environment is, after all, a complex message system which imposes on human beings certain ways of thinking, feeling, and behaving.' Media ecology argues that media act as extensions of the human senses in each era, and communication technology is the primary cause of social change. McLuhan is famous for coining the phrase, 'the medium is the message', which is an often-debated phrase believed to mean that the medium chosen to relay a message is just as important (if not more so) than the message itself. McLuhan proposed that media influence the progression of society, and that significant periods of time and growth can be categorized by the rise of a specific technology during that period. Additionally, scholars have compared media broadly to a system of infrastructure that connect the nature and culture of a society with media ecology being the study of 'traffic' between the two. In 1934, Marshall McLuhan enrolled as a student at Cambridge University, a school which pioneered modern literary criticism. During his studies at Cambridge, he became acquainted with one of his professors, I.A. Richards, a distinguished English professor, who would inspire McLuhan's later scholarly works. McLuhan admired Richards' approach to the critical view that English studies are themselves nothing but a study of the process of communication. Richards believed that 'words won't stay put and almost all verbal constructions are highly ambiguous'. This element of Richards' perspective on communication influenced the way in which McLuhan expressed many of his ideas using metaphors and phrases such as 'The Global Village' and 'The Medium Is the Message', two of his most well-known phrases that encapsulate the theory of media ecology. McLuhan used the approaches of Richards, William Empson, and Harold Innis as an 'entrée to the study of media'. However, it took many years of work before he was able to successfully fulfill their approaches. McLuhan determined that 'if words were ambiguous and best studied not in terms of their 'content' but in terms of their effects in a given context and if the effects were often subliminal, the same might be true of other human artifacts, the wheel, the printing press, the telegraph and the TV'. This led to the emergence of his ideas on media ecology. In addition to his scholarly work, McLuhan was also a well known media personality of his day. He appeared on television shows, in magazine articles, and even had a small cameo in the movie Annie Hall. Few theories receive the kind of household recognition that media ecology received, due directly to McLuhan's role as a pop culture icon. He was an excellent debater and public speaker, but his writing was not always what would normally pass in academia. Inspired by McLuhan, Neil Postman founded the Program in Media Ecology at New York University in 1971, as he further developed the theory McLuhan had established. According to Postman, media ecology emphasizes the environments in which communication and technologies operate and spread information and the effects these have on the receivers. 'Such information forms as the alphabet, the printed word, and television images are not mere instruments which make things easier for us. They are environments – like language itself, symbolic environments with in which we discover, fashion, and express humanity in particular ways.'