A mechanical filter is a signal processing filter usually used in place of an electronic filter at radio frequencies. Its purpose is the same as that of a normal electronic filter: to pass a range of signal frequencies, but to block others. The filter acts on mechanical vibrations which are the analogue of the electrical signal. At the input and output of the filter, transducers convert the electrical signal into, and then back from, these mechanical vibrations.Notes: A mechanical filter is a signal processing filter usually used in place of an electronic filter at radio frequencies. Its purpose is the same as that of a normal electronic filter: to pass a range of signal frequencies, but to block others. The filter acts on mechanical vibrations which are the analogue of the electrical signal. At the input and output of the filter, transducers convert the electrical signal into, and then back from, these mechanical vibrations. The components of a mechanical filter are all directly analogous to the various elements found in electrical circuits. The mechanical elements obey mathematical functions which are identical to their corresponding electrical elements. This makes it possible to apply electrical network analysis and filter design methods to mechanical filters. Electrical theory has developed a large library of mathematical forms that produce useful filter frequency responses and the mechanical filter designer is able to make direct use of these. It is only necessary to set the mechanical components to appropriate values to produce a filter with an identical response to the electrical counterpart. Steel alloys and iron–nickel alloys are common materials for mechanical filter components; nickel is sometimes used for the input and output couplings. Resonators in the filter made from these materials need to be machined to precisely adjust their resonance frequency before final assembly. While the meaning of mechanical filter in this article is one that is used in an electromechanical role, it is possible to use a mechanical design to filter mechanical vibrations or sound waves (which are also essentially mechanical) directly. For example, filtering of audio frequency response in the design of loudspeaker cabinets can be achieved with mechanical components. In the electrical application, in addition to mechanical components which correspond to their electrical counterparts, transducers are needed to convert between the mechanical and electrical domains. A representative selection of the wide variety of component forms and topologies for mechanical filters are presented in this article. The theory of mechanical filters was first applied to improving the mechanical parts of phonographs in the 1920s. By the 1950s mechanical filters were being manufactured as self-contained components for applications in radio transmitters and high-end receivers. The high 'quality factor', Q, that mechanical resonators can attain, far higher than that of an all-electrical LC circuit, made possible the construction of mechanical filters with excellent selectivity. Good selectivity, being important in radio receivers, made such filters highly attractive. Contemporary researchers are working on microelectromechanical filters, the mechanical devices corresponding to electronic integrated circuits. The elements of a passive linear electrical network consist of inductors, capacitors and resistors which have the properties of inductance, elastance (inverse capacitance) and resistance, respectively. The mechanical counterparts of these properties are, respectively, mass, stiffness and damping. In most electronic filter designs, only inductor and capacitor elements are used in the body of the filter (although the filter may be terminated with resistors at the input and output). Resistances are not present in a theoretical filter composed of ideal components and only arise in practical designs as unwanted parasitic elements. Likewise, a mechanical filter would ideally consist only of components with the properties of mass and stiffness, but in reality some damping is present as well. The mechanical counterparts of voltage and electric current in this type of analysis are, respectively, force (F) and velocity (v) and represent the signal waveforms. From this, a mechanical impedance can be defined in terms of the imaginary angular frequency, jω, which entirely follows the electrical analogy. The scheme presented in the table is known as the impedance analogy. Circuit diagrams produced using this analogy match the electrical impedance of the mechanical system seen by the electrical circuit, making it intuitive from an electrical engineering standpoint. There is also the mobility analogy, in which force corresponds to current and velocity corresponds to voltage. This has equally valid results but requires using the reciprocals of the electrical counterparts listed above. Hence, M → C, S → 1/L, D → G where G is electrical conductance, the inverse of resistance. Equivalent circuits produced by this scheme are similar, but are the dual impedance forms whereby series elements become parallel, capacitors become inductors, and so on. Circuit diagrams using the mobility analogy more closely match the mechanical arrangement of the circuit, making it more intuitive from a mechanical engineering standpoint. In addition to their application to electromechanical systems, these analogies are widely used to aid analysis in acoustics. Any mechanical component will unavoidably possess both mass and stiffness. This translates in electrical terms to an LC circuit, that is, a circuit consisting of an inductor and a capacitor, hence mechanical components are resonators and are often used as such. It is still possible to represent inductors and capacitors as individual lumped elements in a mechanical implementation by minimising (but never quite eliminating) the unwanted property. Capacitors may be made of thin, long rods, that is, the mass is minimised and the compliance is maximised. Inductors, on the other hand, may be made of short, wide pieces which maximise the mass in comparison to the compliance of the piece.