The history of literature of the Early modern period (16th, 17th and partly 18th century literature), or Early Modern literature, succeeds Medieval literature, and in Europe in particular Renaissance literature. The history of literature of the Early modern period (16th, 17th and partly 18th century literature), or Early Modern literature, succeeds Medieval literature, and in Europe in particular Renaissance literature. In Europe, the Early Modern period lasts roughly from 1550 to 1750, spanning the Baroque period and ending with the Age of Enlightenment and the wars of the French Revolution. The Early Modern period in Persia corresponds to the rule of the Safavid dynasty. In Japan, the 'Early Modern period' (Edo period) is taken to last down to 1868 (the beginning of Industrialization during the Meiji period). In India, the Mughal era lasts until the establishment of the British Raj in 1857. The Ottoman Empire underwent various attempts of modernization from 1828 (Tanzimat). Chinese literature of the Qing dynasty remains mostly unaffected by European influence, and effects of modernization that would lead up to the New Culture Movement became apparent only from the Late Qing period in the 1890s. A new spirit of science and investigation in Europe was part of a general upheaval in human understanding, which began with the discovery of the New world in 1492 and continues through the subsequent centuries, even up to the present day. The form of writing now commonplace across the world—the novel—originated from the early modern period and grew in popularity in the next century. Before the modern novel became established as a form there first had to be a transitional stage when 'novelty' began to appear in the style of the epic poem. Plays for entertainment (as opposed to religious enlightenment) returned to Europe's stages in the early modern period. William Shakespeare is the most notable of the early modern playwrighters, but numerous others made important contributions, including Pierre Corneille, Molière, Jean Racine, Pedro Calderón de la Barca, Lope de Vega and Christopher Marlowe. From the 16th to the 18th century commedia dell'arte performers improvised in the streets of Italy and France. Some Commedia dell'arte plays were written down. Both the written plays and the improvisation were influential upon literature of the time, particularly upon the work of Molière. Shakespeare drew upon the arts of jesters and strolling players in creating new style comedies. All the parts, even the female ones, were played by men (en travesti) but that would change, first in France and then in England too, by the end of the 17th century. The earliest work considered an opera in the sense the work is usually understood dates from around 1597. It is Dafne, (now lost) written by Jacopo Peri for an elite circle of literate Florentine humanists who gathered as the 'Camerata'. Miguel de Cervantes's Don Quixote de la Mancha has been called 'the first novel' by many literary scholars (or the first of the modern European novels). It was published in two parts. The first part was published in 1605 and the second in 1615. It might be viewed as a parody of Le Morte d'Arthur (and other examples of the chivalric romance), in which case the novel form would be the direct result of poking fun at a collection of heroic folk legends. This is fully in keeping with the spirit of the age of enlightenment which began from about this time and delighted in giving a satirical twist to the stories and ideas of the past. It is worth noting that this trend toward satirising previous writings was only made possible by the printing press. Without the invention of mass-produced copies of a book it would not be possible to assume the reader will have seen the earlier work and will thus understand the references within the text. In the 18th century Daniel Defoe and Jonathan Swift wrote famous novels. The 16th century saw outstanding epic poems of Torquato Tasso and Luís de Camões. Later the most well-known poets were Juana Inés de la Cruz, John Milton and Alexander Pope. In turn Jean de La Fontaine and Charles Perrault are appreciated for their fables.