Tonifying method has been used to treat various types of deficiency syndrome in traditional Korean medicine. Tonifying medicinal including ginseng and deer horns is one of the various methods of the treatments, but they are recognized as a representative of traditional Korean remedies nowadays in Korea. That is concerned with the new trends of medicine manifested at Naeuiwon(內醫院, Royal Infirmary) in the late Chosun period. The period that manifested the tonifying method obviously was the reign of King Youngjo(英祖, r.1724-1776). King Youngjo who lived longest among Chosun kings considered tonifying yang(陽) very important in keeping him healthy. He had taken a large quantity of ginseng, he and others considered the reason for his longevity as taking ginseng. From that time, the method of tonifying yang became one of the principles in health care and treatment as well. In the 19th century, the theory of tonifying method had been changed, in that tonifying yin(陰) was considered more important among Naeuiwon physicians. Tonifying yang(陽) alone was thought to be harmful because of its warm and dry nature. The main cause of prevalence of tonifying method in Naeuiwon was the fact that it was safe and had little side effects. The method of health care and treatments of the kings was considered as an ideal model by the ordinary people at that time. The new trends of medicine manifested at Naeuiwon in the late Chosun period had a strong influence on traditional Korean medicine, which emphasized the importance of tonifying method.
For establishment of the direction of the language standard education for the university students, this study synthetically analyzed their awareness,...
본 연구는 일탈적 이슈인 ‘동성애’가 대중 영화를 통해 어떻게 시각적으로 재현되었으며 그를 통해 어떤 의미가 구축되었는지를 프레임 이론을 통해 조명했다. 구체적으로 , , 등 세 편의 흥행 동성애 영화를 대상으로 동성애에 특정한 관점이 드러난 ‘씬(scene)’들을 선택하여, 그 장면에서 나타나는 시각적 이미지를 카메라, 조명, 색 등의 영상미학적 요소들을 중심으로 분석했다. 분석 결과 두 가지 대표적인 프레임이 발견되었다. 먼저, 동성애 영화들은 ‘성 역할 대비 프레임’을 통해 동성 연인들을 남자와 여자로 구분 짓고 이들에게 전통적인 사회적 성 역할을 부여했다. 즉 ‘동성애’의 정체성은 남성의 육체에 사회적 여성성이 가미된 것으로 재현되었으며, 관객들은 대중적 동성애 영화를 통해서 여전히 ‘남성 중심의 이성애적 로맨스’를 소비하고 있음을 알 수 있었다. 특히 신체 부분 부분에 대한 카메라의 섬세한 클로즈업을 통해 여성으로 구분된 동성애자를 에로틱한 대상으로 전시하는 효과를 창출해내고 성 역할 구분을 공고화했다. 또한 ‘갈등 와해 프레임’을 통해 동성애를 둘러싼 갈등이나 논란의 요소를 무력화했는데, 특히 화려한 색과 조명, 롱샷의 카메라 기법 등을 사용함으로써 시각적 즐거움을 제공하고 동성애에 대한 불편함을 완화했다.
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