Paula Rabinowitz

University of Minnesota

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Guy Stern

Queen's Medical Centre

Anne Ruggles

University of California, Berkeley

Mary N. Layoun

University of Wisconsin–Madison

Herbert Lindenberger

Stanford University

Michael Holquist

Södertörn University

Charles Altierí

University of California, Berkeley

Priscilla Wald

University of Wisconsin–Madison

Catharine R. Stimpson

New York University

Hortense J. Spillers

Vanderbilt University

John Guillory

New York University

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Syracuse University

Oakland Museum of California

Metropolitan Museum of Art

Walker (United States)

University of Tennessee at Knoxville

University of Nebraska System

Art Institute of Chicago

Goldsmiths University of London

New York University

Yale University

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Barbara Stanwyck's Anklet

DOAJ (DOAJ: Directory of Open Access Journals) (2001)

Paula Rabinowitz

Los objetos tienen siempre un poder ineludible como significantes. El genero filmico negro esta tambien dotado de una identidad propia a partir de un conjunto de imagenes, argumentos, estilos visuales y objetos por ejemplo, encendedores, persianas y, como elemento central de este trabajo, zapatos. El zapato como emblema de la muerte e icono sexual deviene fundamental en la puesta en escena del genero negro. Cuando la “femme fatale” Phyllis Dietrichson (Barbara Stanwyck), por ejemplo, desciende la escalera para encontrarse con el corredor de seguros Walter Neff (Fred Mc Murray) en la pelicula de Billy Wilder Persuasion (1944), la camara enfoca sus piernas blancas y relucientes hasta alcanzar sus pies y sus tobillos, con el fin de evocar el poder fetichista del pie de una mujer a la hora de controlar a un hombre.

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And Yet She Moves: Reviewing Feminist Cinema

Paula Rabinowitz Sheryl Mousley

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Materialist-feminism: marxism beyond Marxism

Paula Rabinowitz

Materialism

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Review of Policing Narratives and the State of Terror by Robin Truth Goodman

Paula Rabinowitz

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Review of Sentimental Modernism: Women Writers and The Revolution of The Word by Suzanne Clark

Paula Rabinowitz

Modernism

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Sentimental Modernism: Women Writers and The Revolution of The Word

Paula Rabinowitz

Modernism

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Review of Rich and Strange: Gender, History, Modernism by Marianne DeKoven; 1915: The Cultural Moment edited by Adele Heller and Lois Rudnick; and Engendering Culture: Manhood and Womanhood in New Deal Art and Theater by Barbara Melosh

Paula Rabinowitz

Modernism

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The Woman in the Window: Esther Bubley Invents Noir

Film International (2003)

Paula Rabinowitz

World War II provided many working and lower middle class women with the possibility of a more independent lifestyle as the war effort demanded their labour. Hired by the Office of War Information, photographer Esther Bubley documented the lives of these uprooted women flocking to big cities in search of jobs. But her pictures didn't just document the realities of work and leisure. As Paula Rabinowitz suggests, she also came to invent the icons of female pulp modernism.

Modernism

10.1386/fiin.1.2.14

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Josephine Herbst (1897-1969)

Paula Rabinowitz

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Isak Dinesen Enlists: Pulp, The Armed Services Editions and GI Reading during WWII

Paula Rabinowitz

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